The film focuses on complex characters within the context of church corruption and forbidden love, with little indication that casting or character traits were chosen primarily for identity reasons. It appears to be more of a critical drama than a showcase for modern ideological representation, but the narrative occasionally leans into themes that seem intended to challenge traditional values.

The story directly portrays Catholic religious figures in a negative light, painting the Church as backward and hypocritical. It appears designed to undermine traditional religious and moral values, often casting them as repressive or dangerous, which aligns with modern revisionist tendencies.

Dissenting or more traditional viewpoints are largely depicted through corrupt or unsympathetic characters. The film seems more interested in critiquing than sincerely representing alternative perspectives, resulting in a fairly one-sided ideological atmosphere.