The Crocodile Hunter: Collision Course (2002) | How Woke Is It?

Our VerdictNot Woke

The Crocodile Hunter: Collision Course2002

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

The Crocodile Hunter: Collision Course is about as non-woke as they come. It’s lighthearted, focused on wildlife conservation and comedy, and absolutely uninterested in pushing any modern ideological narrative. If you’re looking to escape the 'woke-ification' of Hollywood, this is your nature adventure.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

The Crocodile Hunter: Collision Course stays focused on wildlife adventure and humor, rather than shoehorning in identity politics or forced representation. Characters are defined by their skills and personalities, not their demographics, and the wild animal hijinks take center stage.

Compromised:Cultural Foundations

Not Woke

What is this?

There’s no effort to poke at traditional values here. Family, masculinity, and a deep respect for nature are all treated with good-natured authenticity, as one might expect from Steve Irwin. No crusade against religion, tradition, or classic gender dynamics spotted.

Compromised:Ideological Monoculture

Not Woke

What is this?

Alternative worldviews aren’t mocked, and the film is refreshingly ideology-free. It’s just a fun romp without any heavy-handed messaging, unless you count 'Don’t mess with crocodiles.' Everyone’s welcome to enjoy the wild ride without ideological box-checking.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.