The film prioritizes classic horror storytelling with well-developed characters motivated by ambition and hubris. There’s little evidence of characters being chosen or shaped primarily for modern identity representation. The narrative sticks to the familiar gothic horror roots, focusing on morality and consequences, not on ticking any contemporary ideological checkboxes.

Traditional themes like the dangers of playing god, hubris, and the importance of moral boundaries are front and center. Masculine roles and family dynamics are portrayed in ways consistent with 1950s norms, certainly not subverted or mocked. It faithfully adapts classic tales while reinforcing rather than undermining Western cultural foundations.

The film doesn’t spend screen time shaming alternative perspectives or pushing a single political worldview. It’s focused on gothic horror and moral consequences of scientific overreach, not on vilifying dissenting opinions or celebrating ideological uniformity. You’d have a tough time finding overt modern messaging here.