The film anchors itself in realism, focusing on the slow decline of its protagonist with little attention to identity politics. Characterization and narrative are rooted in Romania’s bureaucracy and healthcare, not shoehorned diversity. No evidence of forced representation or characters inserted for ideological balance; it’s more about existential suffering than ideological box-checking.

Cultural and social commentary is present, but it critiques decaying systems rather than attacking tradition, religion, or family values. The focus is healthcare, not a subversion of gender or religion, and traditional Romanian settings are respected, not rewritten.

There’s little overt ideological flavor or stereotyping of perspectives here, with characters displaying a range of attitudes. Its critique is systemic, not ideological, and there’s no heavy-handed promotion of modern political narratives. The film’s bleakness is universal rather than didactic.