"The Double" is rooted in a surreal, psychological narrative with little emphasis on identity politics. The character development is driven by existential dread and anxiety, not forced diversity or box-ticking. Casting choices seem focused on fit for the story's oddball tone, rather than meeting diversity checklists. If anything, narrative weirdness reins over any nods to modern ideological fads.

The film is a dark, Kafkaesque tale that doesn’t really touch on religion, family structure, or gender roles. There's no sense that it's mocking traditional values, if anything, it’s busy making viewers question reality. The cultural influences feel literary and existential, not revisionist or agenda-driven.

The story is more concerned with alienation and paranoia than with pushing a particular worldview. There's no villainization of traditional values or caricaturing dissent; it just wants to unsettle you. Ideological debate is absent because the focus is on the protagonist's internal struggle.