The Getaway (1994) | How Woke Is It?

Our VerdictNot Woke

The Getaway1994

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

The Getaway (1994) is about as non-woke as Hollywood gets these days. It’s focused on suspense, gunfire, and flawed anti-heroes, no tacked-on ideological fluff or forced representation. A refreshing throwback.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

The Getaway (1994) is classic pulp crime and doesn’t prioritize identity-based casting or messaging. Characters are driven by motive and narrative stakes, with no apparent forced representation or ideological overlay. It’s more concerned with the grit and action than social messaging, staying true to its noir roots.

Compromised:Cultural Foundations

Not Woke

What is this?

Traditional gender roles and moral ambiguity take center stage. Masculine traits are on full display, as are themes of loyalty, betrayal, and survival, without mocking traditional cultural values. No overt attempt is made to undermine religion, family, or masculinity beyond typical genre tropes.

Compromised:Ideological Monoculture

Not Woke

What is this?

The film doesn’t really traffic in modern ideological battles; it’s busy being a hard-boiled thriller. Any villainization of alternative views falls well within standard criminal genre conventions, not agenda-driven caricature. The primary focus is on action, not ideology.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.