The Haunting in Connecticut 2: Ghosts of Georgia (2013) | How Woke Is It?

Our VerdictNot Woke

The Haunting in Connecticut 2: Ghosts of Georgia2013

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

An old-school supernatural horror flick with minimal woke influence. It relies on family themes and suspense rather than on-trend virtue signaling, making it a rare non-woke entry in an otherwise saturated genre.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

The movie primarily sticks to standard supernatural horror tropes and focuses on family trauma, with no noticeable box-checking for identity politics. Characters are written for their roles in the story rather than as ideological statements, making it refreshingly straightforward by modern standards.

Compromised:Cultural Foundations

Not Woke

What is this?

Family, faith, and traditional values play important roles in the story, and there's no attempt to ridicule or undermine them. The film centers on familial bonds and a mother's love, with no subversion of cultural or religious norms.

Compromised:Ideological Monoculture

Not Woke

What is this?

There’s no heavy-handed ideology, finger-wagging, or cartoonish villainization of non-woke perspectives. It’s mostly focused on scares and drama, letting any ideological conversation take a backseat, if it’s present at all.

User Reviews

No user reviews received yet.

Please leave a review and let the world know what you think.
Your review will be kept completely anonymous.

Your Review

Comments

Users Also Viewed

Movie poster for The Haunting in Connecticut

60%

15%

Movie poster for My Big Fat Greek Wedding 2

12%

Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.