The film centers on a female journalist in a traditionally male-dominated setting, and occasionally identity-driven choices seem to overshadow realistic narrative flow. The protagonist's rapid transitions from one high-stakes scenario to another often lack grounded character development, and the focus drifts at times into contemporary identity frameworks rather than merit or skill.

There's a noticeable undercurrent that paints traditional government institutions and some familial dynamics as inherently corrupt or outdated, which aligns with familiar modern themes. However, it doesn't go as far as outright vilifying masculinity or religion, keeping it from reaching the most extreme end of the spectrum.

The film generally avoids exploring a diversity of viewpoints and tends to present establishment figures and institutions as one-dimensionally negative. Any dissenting voices are mostly presented as corrupt, clueless, or complicit, offering little room for nuanced alternative perspectives.