The Man Who Cried (2000) | How Woke Is It?

Our VerdictNot Woke

18%

The Man Who Cried2000

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

For a film released in 2000, 'The Man Who Cried' stands out as refreshingly non-woke by today’s standards. It delivers a nuanced look at personal and cultural identity without modern ideological posturing or intrusive revisionism.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

The film focuses primarily on character-driven drama set against the turmoil of WWII, without feeling like it's bending the story to modern identity trends. Characters are developed within the period context, with personality and emotional arcs at the forefront.

Compromised:Cultural Foundations

Mildly Woke

What is this?

While the film does examine themes of displacement, family, and identity, it approaches tradition, religion, and cultural roots with sensitivity, not hostility. It doesn't subvert or ridicule traditional values but explores them through a historical lens.

Compromised:Ideological Monoculture

Mildly Woke

What is this?

The film provides distinct perspectives, Jewish, Romani, Russian, which are integral to the plot. There’s no heavy-handed villainization of traditional culture, and alternative worldviews are present without being mere caricatures.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.