The Man Who Killed Hitler and Then the Bigfoot (2019) | How Woke Is It?

Our VerdictNot Woke

12%

The Man Who Killed Hitler and Then the Bigfoot2019

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

This film is about as non-woke as they come these days, an earnest, old-school adventure with minimal ideological posturing. If anything, it’s a throwback to when the focus was story, not soapbox.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

The film largely sticks to its bizarre premise, focusing on a male protagonist whose prowess and regrets anchor the story. Identity politics, forced representation, or ideological shoehorning are almost nonexistent; character focus is on personal struggle, not checkboxes.

Compromised:Cultural Foundations

Not Woke

What is this?

Masculinity, patriotism, and sacrifice are front and center, with veteran trauma and longing for family explored honestly. Traditional traits aren’t undermined or mocked. There’s certainly no revisionist take on history beyond the fantasy genre trappings.

Compromised:Ideological Monoculture

Not Woke

What is this?

Traditional worldviews are depicted without mockery, and alternative perspectives aren’t demonized. The film is surprisingly apolitical by today’s standards, delivering pluralism through universal human themes.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.