The film prioritizes absurdist comedy, with no forced representation or emphasis on identity politics. Characters are quirky because the genre demands it, not to check boxes. There’s no overt focus on race, gender, or sexuality over story or humor, keeping the narrative largely free of ideological interference.

'The Man with Two Brains' is a satire targeting neurosurgery and romantic relationships, not social structures. Masculinity, marriage, and traditional cultural elements are played for laughs rather than subversion. There’s no noticeable effort to undermine religion, family, or morality, any irreverence is firmly in service of the film’s slapstick tone.

The humor is broad and inclusive of many archetypes. No major political or ideological message is evident. Dissenting or traditional views aren’t villainized; the villains are comedically exaggerated for entertainment rather than ideological reasons. Internal debates revolve around personal quirks, not cultural issues.