The film broadly respects historical context and emphasizes religious, social, and political events over identity politics. Characters are depicted according to their historical and religious backgrounds, not modern ideological concerns. There is minimal evidence of forced representation or rewriting of character traits for contemporary sensibilities.

The Message treats traditional values, religion, family, masculinity, with great seriousness and respect. Rather than undermining, it strives to portray the foundations of early Islam as dignified and central. Subversion of tradition or cultural revisionism is virtually nonexistent here.

While the film naturally presents Islamic perspectives, it does not overtly mock or villainize alternative worldviews by modern standards. Historical figures act according to their context, without shoehorning current ideological themes.