The Princess spotlights a young woman who suddenly displays nearly superhuman combat skills, despite no prior context or realism, placing identity above plausible storytelling. The film feels designed to showcase a strong female lead regardless of whether it fits the medieval setting, demonstrating a commitment to modern ideology over authentic narrative progression.

Traditional gender roles are thoroughly subverted, masculinity is depicted as brutish or villainous while the princess outshines everyone in combat and leadership. The film pointedly mocks old-fashioned family dynamics and dismisses the notion that women in such eras might excel in different, more plausible ways.

Any dissent or traditional voices are one-dimensional, serving merely as obstacles for the all-conquering heroine. There's no meaningful debate or complexity regarding roles, with every 'progressive' message unchallenged and all opposition immediately vilified. Nuance takes a backseat to modern messaging.