This film focuses on one woman's personal journey, exploring themes of identity and marital dissatisfaction. It doesn’t appear to shoehorn in characters purely for representation's sake, and character development is largely organic. There is little evidence that ideology is paramount over story or character depth, so overall, the narrative holds up fairly well without major 'woke' interference.

Traditional ideas of marriage and family are certainly critiqued, and some might argue that masculinity is not portrayed in the most flattering light. However, the film isn’t heavy-handed in its subversion and feels more like a personal exploration than a broad ideological statement.

While the film is centered on a woman's journey to self-realization and her breaking from convention, it doesn't mock or caricature traditional worldviews. Alternative perspectives are present but not villainized. There's some modern sensibility, but not to a preachy or monolithic degree.