The film remains focused on its characters' personalities rather than shoehorning in modern identity politics. The majority of casting and character arcs fit the elite Oxbridge setting, with little sign of forced diversity or over-the-top ideological compromise. It's refreshingly non-woke by current Hollywood standards, prioritizing story over statements.

The Riot Club lampoons privilege and entitled masculinity without overtly attacking traditional values themselves. While elite male behavior is critiqued (with plenty of bad behavior on display), family, faith, and 'the old ways' aren't rewritten to fit a particular agenda. It pokes at class arrogance more than broader cultural foundations.

While the film mocks toxic upper-class entitlement, there’s still some room for shades of gray. Not every character is reduced to a cartoon villain and alternative views (regarding money, privilege, and aspiration) do appear, though dissenting perspectives are somewhat marginalized. It's not exactly a spectrum of ideological diversity, but also not total monoculture.