This Iranian film focuses on the subtle interactions of its characters within a rural village. Identity politics, race, gender, and sexuality are not foregrounded, and the characters are developed through nuanced, human portrayals rather than imposed ideological criteria. The narrative holds together naturally, resisting any urge toward forced representation or overly perfect characters.

Traditional cultural structures, family, and religious rituals are treated with respect and integrated seamlessly. There is no mockery or subversion of traditional values; if anything, the film quietly observes and sometimes even appreciates local customs, religious practices, and generational relationships.

There’s no strong ideological push here. The film is more interested in ambiguity, silence, and the slow rhythms of life. Alternative perspectives are presented as a matter of course, and the film refrains from caricaturing any particular viewpoint. Ideological uniformity is refreshingly absent.