The film focuses on personal drama and character flaws, not identity politics. The narrative is driven by plot and character instead of ideological messaging, with character backgrounds and motivations developed for storytelling rather than representing modern identity categories. It’s a classic example of narrative taking priority over message.

Under Capricorn upholds traditional values on marriage, family, and even redemption through personal responsibility. Religion, masculinity, and period gender roles are treated as standard for the setting, with no sign of revisionism or critique of tradition by today’s standards.

The film is rooted in historical and romantic melodrama, showing limited interest in contemporary ideological clashes. There's little engagement with today’s debates. If anything, traditional worldviews prevail, with only mild hints of class commentary rather than heavy-handed moral lecturing.