In our view, the film places ideology front and center, focusing intensely on gender identity and patriarchal oppression. The men are mostly abstracted as antagonists, while the women are depicted as near-universally heroic, with little emphasis on individual nuance or skill-based character development. Nuanced debate and character flaws take a back seat to message-driven storytelling.

The very premise challenges traditional religious, familial, and patriarchal structures, portraying masculinity and conservative values as serious threats. Religion and tradition are depicted less as sources of comfort or unity and more as sources of oppression. This reinterpretation is unmistakably viewed through a contemporary ideological lens.

Virtually every alternative or dissenting viewpoint is set up to be knocked down. Complexity is limited: the story largely assumes a single, modern moral perspective, portraying resistance to progressive change as villainous, without any real attempt at sympathetic exploration.