The film leans heavily on identity-based conflict, with character arcs and most major story beats orbiting around race, religion, and culture over personal growth or unique traits. In our view, some characters feel more like vehicles for ideology than fully fleshed-out individuals. There's ample forced representation, and much of the humor and tension is centered on social commentary rather than organic storytelling.

Traditions, especially regarding religion and family roles, are frequently used as conflict points or punchlines. Masculinity is often depicted as clueless or outdated, with cultural and religious norms subverted for comedic effect. There is a clear undercurrent suggesting conventional values are a source of conflict rather than cohesion.

The film appears to lack substantial depiction of traditional or dissenting perspectives, except as punchlines or sources of cringe. Most characters share similar modern moral assumptions, leaving little space for sincere debate or diversity of worldview. Alternative viewpoints are typically handled with mockery or oversimplification.