In our view, 'After the Flood' appears to prioritize identity-focused casting and contemporary ideological themes over organic storytelling. The protagonist is a female police officer navigating a male-dominated environment, a trope that, while potentially interesting, has become somewhat formulaic for modern British dramas. Character development can take a back seat to narrative messaging, and identity cues are front-and-center.

The show subtly challenges traditional values, positioning authority structures, masculinity, and family ties as sources of tension rather than strengths. Traditional roles and motivations are often underplayed or depicted as outdated, seemingly to align with a more modern ethos. This could be seen as sidestepping the nuanced strengths of legacy British culture in favor of contemporary perspectives.

There is a notable lack of authentic dissenting perspectives. Any character who questions the prevailing narrative is framed as an antagonist or outlier, with little room for balanced debate. The show's worldview leans consistently modern-progressive, and internal pluralism is minimal.