Bay Kamber, released in 1994, takes a traditional, character-driven approach rooted in Turkish storytelling, with little to no emphasis on modern identity politics. Characters are written and cast for their fit in the narrative, rather than ticking diversity boxes. No signs of forced representation or superhuman characterization for identity reasons.

The show respects cultural norms, placing family, faith, and traditional values at the center. Masculinity and community are depicted without mockery or deconstruction, reflecting a non-woke worldview. There is no obvious revisionism or undermining of cultural traditions present.

Bay Kamber doesn't show the modern ideological echo chamber we see today. Alternative perspectives aren't tokenized or caricatured, and there’s genuine representation of complexity within traditional frameworks, so it escapes the typical monoculture of today’s productions.