From what is publicly available, Citadel Honey Bunny places a heavy emphasis on identity-driven casting and plotlines. Character backgrounds around race, gender, and sexuality are showcased front and center, with little regard for organic character or plot development. This comes across as placing ideology over storytelling, making things predictable and shallow.

The series appears to treat traditional values , family, masculinity, and faith , as outdated or in need of subversion. Male characters are frequently softened or sidelined, while any nod to religion or tradition seems to be done with a smirk or eye-roll. It’s the typical modern formula: out with the old, in with the preachy.

Alternative perspectives are nearly non-existent. Any vaguely traditional or dissenting character quickly becomes a cardboard villain or punching bag, with zero sincere nuance or redemptive qualities. The worldview promoted here seems singular and uniformly progressive, and nobody dares question it, whether on screen or in the script.