City on Fire appears to foreground identity politics, with casting and character traits often feeling dictated by demographic checklists rather than storytelling needs. Several character arcs prioritize modern ideological themes over deeper, organic development. This is a show where narrative tension sometimes takes a back seat to 'right side of history' messaging.

The show leans heavily into critiquing traditional norms, with family, religion, and masculinity frequently portrayed as problematic or sources of conflict. Older values are rarely sympathetically depicted; most of the moral high ground belongs to socially progressive characters. Some viewers may see this as undermining cultural foundations.

'City on Fire' offers little in the way of ideological diversity: traditional or dissenting viewpoints, if present at all, tend to be embodied by problematic or broken characters. Internal debates are scarce and the show's worldview is strikingly uniform and modern-progressive.