The show appears to stick closely to the crime documentary genre, focusing on the real-life story of César Román. From what can be seen, there’s little indication that identity politics or forced representation override the actual narrative. The subject matter is tightly tied to real events, staying on the facts (as interpreted for true crime entertainment).

There doesn’t seem to be any overt effort to undermine traditional values or cultural foundations here. The show examines criminal behavior without turning it into a platform for preaching about religion, gender, or morality in a revisionist way. Family and traditional structures are not a focus, positive or negative.

For a true crime docuseries, the tone is neutral, simply portraying the investigation and events. There’s no clear effort to villainize traditional views or push a uniform ideological worldview. The series' strength lies in recounting the facts, not in parroting modern activist talking points.