Danger Force (2020) | How Woke Is It?

Our VerdictHyper Woke

90%

Danger Force2020

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

"Danger Force" scores extremely high on the woke meter. The show prioritizes identity and modern ideology above rich storytelling, regularly undermines traditional values, and offers little space for ideological variety. For those weary of forced representation and cultural revisionism, this Nickelodeon series will confirm every suspicion about the current state of children’s TV.

Score Breakdown

Compromised:Narrative Integrity

Hyper Woke

What is this?

In our view, "Danger Force" frequently puts diversity and identity front-and-center, with casting decisions dependent more on representation than on story needs or character depth. Many characters lean into contemporary identity tropes, resulting in less nuanced development and a formulaic approach where ideology visibly takes priority over narrative coherence.

Compromised:Cultural Foundations

Hyper Woke

What is this?

The show often diminishes traditional family structures, masculinity, and other foundational cultural hallmarks in favor of modern reinterpretations. Parental figures are sidelined or depicted as out-of-touch, and themes elevate alternative lifestyles as inherently superior, aligning closely with Nickelodeon's broader ideological push.

Compromised:Ideological Monoculture

Hyper Woke

What is this?

"Danger Force" leans heavily into a single progressive worldview. Traditional or dissenting perspectives are mostly absent, and when present, they’re treated as punchlines. The ideological atmosphere is remarkably uniform, leaving little room for genuine debate or any recognition of time-tested values.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.