Gone for Good weaves identity into its story with noticeable emphasis. Diversity seems prioritized in casting, sometimes at the expense of narrative realism. Some character arcs feel secondary to the show's commitment to representation, and traditional suspense can get sidelined. It’s not the worst offender, but you can sense the modern checklist hovering over casting decisions.

The series doesn’t outright attack traditional values, but it places little weight on classic themes like family or religion, focusing more on individual identity and trauma. Masculinity is softened or marginalized, and faith is missing in action. The cultural backdrop feels current-year more than rooted in timeless values.

Alternative worldviews get little airtime. Traditional perspectives are confined to either flashbacks or minor antagonists. The main cast seems to share the same worldview, and dissent is usually portrayed unsympathetically. If you’re looking for pluralism, don’t hold your breath.