Gotham Knights (2023) | How Woke Is It?

Our VerdictHyper Woke

91%

Gotham Knights2023

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

Gotham Knights is a prime example of Hollywood's current woke phase, prioritizing box-ticking representation and rewriting beloved legacies, all while championing a single worldview. For viewers weary of on-the-nose social messaging and craving nuance, this show is likely to disappoint.

Score Breakdown

Compromised:Narrative Integrity

Hyper Woke

What is this?

Gotham Knights leans heavily into identity politics with character choices that frequently appear dictated by diversity checkboxes rather than organic story development. Many central characters are defined first and foremost by their racial, gender, or sexuality identities, often at the expense of nuanced growth, logic, or skill-based merit.

Compromised:Cultural Foundations

Hyper Woke

What is this?

The show routinely takes jabs at traditional institutions, with themes that call into question family bonds, traditional masculinity, and the very idea of superhero legacies. There's a tendency to subvert classic DC archetypes in favor of modern ideological narratives, making long-standing values seem outdated or problematic.

Compromised:Ideological Monoculture

Hyper Woke

What is this?

Virtually every 'traditional' viewpoint is either mocked or caricatured, and dissent is rarely treated with any genuine depth. Gotham Knights offers little to no ideological diversity, framing nearly all conflict in terms of woke morality with little room for alternative perspectives.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.