From what’s visible, the show foregrounds identity themes and sensational exposes over nuanced storytelling. Characters and events appear to be chosen mostly for their alignment to current sociopolitical narratives, with little focus on deeper personality, complexity, or motives outside ideology. This comes at the expense of more traditional dramatic or investigative depth.

Religion, particularly Christianity, seems positioned as outdated or harmful throughout, and traditional values receive little empathetic treatment. Classic family or moral norms primarily serve as backdrops for deconstruction. This relentless undermining of long-standing institutions is hard to overlook.

Alternative perspectives, especially those defending tradition or faith, are largely portrayed through caricature or as outright antagonists. There’s scant room given to pluralism or honest internal debate; dissenting voices seem present only to be critiqued or mocked.