‘Manvat Murders’ leans heavily into highlighting identity factors for characters. Multiple leads appear cast more for demographic diversity than narrative fit, and certain characters feel suspiciously immune to meaningful flaws or mistakes. It comes across as though ideological themes are the main driver, rather than organic character and plot development.

Traditional values and religious themes often seem sidelined, if not directly undermined. Masculinity is depicted as comically outdated, while family dynamics and faith are presented with major skepticism. There’s recurring reinterpretation of cultural traditions to fit modern sensibilities.

Alternative worldviews barely get a word in, and when they do, it’s usually to be mocked or cast as ‘the problem.’ Every major character parrots the same progressive beliefs, leaving no room for debate or even a token voice of reasonable dissent.