Money Heist: From Tokyo to Berlin (2021) | How Woke Is It?

Our VerdictHyper Woke

85%

Money Heist: From Tokyo to Berlin2021

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

“Money Heist: From Tokyo to Berlin” cranks the woke meter, centering on identity, deconstructing tradition, and showcasing a very uniform ideological point of view. If you’re looking for non-woke content, this is one to skip.

Score Breakdown

Compromised:Narrative Integrity

Hyper Woke

What is this?

The show’s focus on behind-the-scenes stories spotlights diversity and identity-driven narratives, sometimes prioritizing cast backgrounds and activism over storytelling craft. It appears that at points, the documentary is more about the cast’s experiences and group identity than the actual heist narrative.

Compromised:Cultural Foundations

Hyper Woke

What is this?

Family, gender, and traditional roles are openly questioned or subverted, with the cast and creators frequently celebrating boundary-pushing, anti-establishment themes. More conventional values or foundations are rarely spotlighted, suggesting an embrace of modern ideological leanings over tradition.

Compromised:Ideological Monoculture

Hyper Woke

What is this?

The documentary uncritically champions progressive worldviews, and rarely, if ever, features perspectives outside of the dominant one. Dissenting or traditional positions are not sincerely represented, if addressed at all. It’s a one-way ideological street.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.