The show centers exclusively on drag queen performers, heavily spotlighting identity and representation over traditional narrative depth or character arcs. Everything revolves around promoting diversity and inclusivity, leaving little room for merit-based casting or organic character development. It feels crafted more as a celebration of ideology than an exploration of personality or skill varieties.

This show openly subverts masculine and traditional gender roles by making drag performance and non-traditional expressions of gender the core content. Family, religion, or other longstanding institutions are mostly absent or only referenced through modern, progressive lenses. The traditional is out, the avant-garde is in, loudly so.

Alternative, non-progressive views are nowhere to be found except as strawmen. The show is a celebration of one narrow slice of ideological perspective, with traditional values rarely (if ever) represented except in opposition or mockery. There’s no debate; the world of ‘Queen of the Universe’ is proudly one-dimensional ideologically.