The series heavily centers on identity, race, religion, and sexuality, often foregrounding these traits over more nuanced character development. It seems that ideological messaging takes prominence, and character arcs feel secondary to the narrative’s commitment to modern political parallels. Forced representation is apparent, which can dilute storytelling.

Traditional British and Jewish cultural values are frequently shown as embattled or in need of modern reinterpretation. Masculinity, family, and faith are often filtered through a critical, revisionist lens to frame past attitudes as problematic, nudging viewers toward contemporary perspectives.

Alternative worldviews, particularly those not aligned with anti-fascist or left-leaning ideals, are presented mostly as villainous caricatures. There’s little genuine debate; the good-versus-evil framework dominates, leaving little room for sincere depiction of competing perspectives.