Suburræterna noticeably foregrounds identity-driven casting decisions. Certain characters seem present more for representation than organic narrative needs, while plotlines often highlight progressive social issues at the expense of deeper character development and believable motivations. Ideology sometimes outpaces story logic, which may draw some viewers out of the experience.

Traditional institutions, such as religion and family, are routinely depicted as compromised, outdated, or outright villainous. Masculinity is either problematized or replaced by empowered female and queer characters with little nuance given to alternative viewpoints. The cultural setting feels retrofitted to broadcast modern values.

The show rarely offers serious engagement with non-progressive perspectives. Traditionalists mostly serve as antagonists or obstacles, and there is little to no genuine debate or ideological diversity among the main cast. The resulting echo chamber limits the complexity one might hope for in a crime drama.