The show focuses on Travis Kalanick's rise and fall at Uber, emphasizing power dynamics and workplace toxicity. While not overtly casting based on identity, it highlights modern workplace issues and diversity topics, seeming at times to foreground ideology over character depth. It’s not egregiously “woke,” but it does lean into contemporary social critiques.

Traditional leadership, masculinity, and aggressive ambition are predominantly portrayed as corrosive or problematic, with little nuance. Family, religion, or other classical cultural anchors are almost entirely sidelined, and the overall message seems to question the legitimacy of these values in favor of modern critiques.

Dissenting or traditional worldviews are depicted through negative stereotypes, with “old school” business culture mostly mocked or villainized. The show's perspective feels ideologically uniform, offering little sincere representation of alternative views or redemption for traditional approaches.