Tengoku Daimakyo (2023) | How Woke Is It?

Our VerdictHyper Woke

82%

Tengoku Daimakyo2023

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

Tengoku Daimakyo showcases clear examples of modern identity-focused themes and reimagines classic roles, often at the expense of narrative and traditional values. It’s a textbook case of a series checking many of the 'woke' boxes.

Score Breakdown

Compromised:Narrative Integrity

Hyper Woke

What is this?

Tengoku Daimakyo leans heavily into identity themes, including gender fluidity and unconventional relationships. Several major revelations focus on gender identity over character depth or natural story progression. This can feel like the narrative is bending to highlight current ideological trends rather than prioritizing organic development or worldbuilding.

Compromised:Cultural Foundations

Hyper Woke

What is this?

The show significantly subverts traditional family and gender roles. Masculinity is often sidelined, and typical parental structures are replaced with more 'progressive' institutional surrogates. Classic cultural and moral foundations are questioned or even dismantled, aligning the series with modern social constructs rather than timeless values.

Compromised:Ideological Monoculture

Woke

What is this?

While there are occasional threads of conflict, dissenting perspectives are largely minimized or treated unsympathetically. The story tends to present modern interpretations of identity and morality as the unquestioned norm in its world, with little room for traditional viewpoints.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.