The Guest keeps its focus on traditional horror storytelling, centering on exorcism, folklore, and classic character archetypes. There’s little evidence of shoehorned identity politics or forced representation, with characters chosen for their narrative fit rather than ideological box-ticking. It values suspense and genuine character development.

Rather than undermining Korean tradition, the show leans into shamanistic folklore and spiritual elements rooted in the country’s culture. Religion and family ties are portrayed as central, sometimes complex but not belittled or subverted for modern ideological messaging.

There’s a lack of overt political messaging. Diverse worldviews, including skepticism and faith, coexist, with neither side flatly villainized. Characters face moral dilemmas reflecting genuine pluralism, rarely descending into modern ideological dogma.