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The Idol feels less like a seminar in virtue signaling and more like a dive into fame’s dark, exploitative underbelly. Not peak woke, but hardly a non-woke oasis.
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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.