The New Adventures of Robin Hood (1997) | How Woke Is It?

Our VerdictNot Woke

12%

The New Adventures of Robin Hood1997

In a free society the right to critique art is essential and protected speech. These reviews reflect personal opinions and not statements of fact.

What We Think

‘The New Adventures of Robin Hood’ keeps its feet planted in old-school adventure. It’s low on modern woke flourishes, expect more swordplay than virtue signaling. A refreshing throwback that lets heroes be heroes without the ideological baggage.

Score Breakdown

Compromised:Narrative Integrity

Not Woke

What is this?

This 1997 series sticks largely to a classic adventure formula, emphasizing personality, skill, and chivalrous derring-do over identity politics. Characters are defined mainly by their archetypes and roles in the story, not by modern ideological checklists.

Compromised:Cultural Foundations

Not Woke

What is this?

Traditional themes like heroism, loyalty, and virtue are central, with Robin portrayed as a classic outlaw hero. There’s little evidence the show attempts to subvert masculinity, family, or values, it all feels distinctly pre-woke and comfortable with European legends.

Compromised:Ideological Monoculture

Not Woke

What is this?

Alternative perspectives aren’t mocked; the conflict is the traditional good vs evil. No obvious caricature of traditional beliefs, nor does everyone parrot 90s progressive mantras; the show avoids lecturing, focusing instead on swashbuckling escapism.

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Disclaimer: In a free society the right to critique art is essential and protected as a form of free speech and freedom of expression. The reviews and commentary on this site represent personal opinions and interpretations. They are not statements of fact and should not be taken as factual claims about any individual, company, or creative work.