The Society makes identity a major emphasis, with casting and plotlines often feeling more focused on ticking diversity boxes than natural character development. Diverse characters tend toward heightened competence and are rarely depicted as flawed, which strains believability and hinders organic tension. Narrative frequently bends to showcase modern ideology over more timeless storytelling.

Religion, family, and especially traditional masculinity are muted or critiqued in The Society. Parental authority is gone, with young women and minority characters primarily assuming leadership and moral high ground. Gender roles are subverted, while references to family or faith are rare and never painted as foundational or positive forces.

Traditional or dissenting viewpoints are almost entirely absent or quickly dismissed. Most characters unquestioningly adopt current progressive stances, and alternative perspectives are not given sincere treatment. Conservative or non-woke values are either ignored or depicted unfavorably, reinforcing a uniform ideological atmosphere.