The Terror, especially in its first season, keeps narrative front and center. Characters are developed based on skill and personality, not identity checkboxes. There’s no forced representation or superficial identity politics interrupting the harrowing survival story. The historical setting and grim tension take precedent over modern ideological insertions.

Religious themes, masculinity, and traditional morality are treated fairly and reflect the Victorian context. While not glorified, neither are they aimlessly mocked or subverted. The story isn’t obsessed with upending gender roles or rewriting culture, instead staying true to its era, warts and all.

No sign of ideological monoculture here. The show presents multiple perspectives and internal conflicts, with characters disagreeing and grappling with varied worldviews. No cheap caricaturing of tradition, just credible, flawed people making tough choices.