This docuseries focuses on eccentric, controversial individuals rather than current identity politics. Characters are mostly cast based on their direct involvement in the story, not for diversity quotas. There is no discernible attempt to shoehorn in modern ideological themes at the expense of the circus-like narrative, so traditional storytelling tropes prevail.

The show highlights bizarre lifestyles and questionable morality, but it doesn’t actively undermine traditional values like family, religion, or masculinity. It’s more about spectacle and scandal than subverting cultural foundations. Any critique is targeted at specific individuals, not larger cultural norms.

There’s minimal sign of ideological uniformity. The show gives its oddball subjects plenty of rope, a variety of viewpoints are presented, albeit mostly revolving around the antics of the main characters. Traditional viewpoints aren’t mocked or villainized; instead, the drama comes from the personalities themselves.