Top Gear (2010) focused almost entirely on cars, driving challenges, and the hosts’ antics, without shoehorning in identity politics or checking diversity boxes. The characters are who they are, with flaws and eccentricities, it’s entertainment driven by chemistry and expertise, not ideology. Forced representation and 'Mary Sue' character issues are nowhere to be found.

The show revels in traditional masculine pursuits, like cars and friendly competition, and often pokes fun at modern sensibilities rather than bowing to them. It celebrates irreverence, camaraderie, and occasionally even good-natured mockery of changing cultural tides. Nothing here undermines family, tradition, or classic masculinity, sometimes it outright defends them.

Alternative perspectives aren’t really the point here, Top Gear is a car show, not a debate club, but when social commentary appears, it occasionally lampoons political correctness and 'woke' trends. Traditional values and playful banter dominate, and there's a real sense of freedom from ideological conformity.