Tschugger sticks to a grounded, character-driven crime-comedy style. The casting choices and character arcs focus more on fitting the quirky Swiss setting than checking boxes for representation. No obvious sacrificial narrative moments for ideology are present. The show prioritizes local flavor over modern identity politics, keeping characterization lively and organic.

Traditional Swiss rural culture, humor, and even a playful look at masculine figures are key to the story. Religion and family aren't mocked or subverted; instead, the series embraces the region’s specific quirks. There’s no detectable attempt to rewrite or undermine cultural structures for modern ideological points.

Tschugger lets its oddball police officers and rural society breathe, without heavy-handed lectures or caricatured ‘bad guy’ traditionalists. The political and social worldview remains mostly neutral, showing a variety of characters with their own quirks rather than villainizing any particular perspective. No clear ideological uniformity on show.