War of Letters frequently prioritizes casting based on identity markers, often at the expense of organic character development. Several major characters seem inserted to tick every diversity checkbox, which in some viewers’ eyes, dilutes dramatic tension and realism. Merit and personality occasionally take a back seat to more fashionable themes, which makes the narrative feel a bit forced and less immersive.

The show regularly reinterprets family dynamics, traditional values, and even Midwestern cultural touchstones through a heavy-handed modern lens. Masculine characters are often undermined or lampooned, while traditional families are depicted as humorless or out of touch. Religious and moral elements that could have grounded the narrative mostly serve as punchlines or cautionary tales.

Virtually every major character seems to preach from the same playbook, and alternative perspectives (when present) are portrayed in an exaggerated, negative light. Debate or internal conflicts over the core ideological themes are notably absent, resulting in a monolithic worldview that could make some non-woke viewers feel uninvited.