Antichrist's narrative leans heavily into personal trauma, psychological horror, and allegory without overtly emphasizing identity politics. There’s little evidence that casting or character development was shaped by modern ideological representation trends. Any perceived imbalance comes more from the film’s artistic provocation than social commentary.

The film contains highly critical and provocative depictions of religion, gender, and traditional relationships. Masculinity, femininity, and motherhood are explored through a dark, pessimistic lens, which could be seen as subverting or problematizing cultural foundations, though not clearly from a woke perspective.

Antichrist resists easy ideological labeling, and its ambiguity means it doesn’t outright promote ideological uniformity. There’s no clear mockery of alternative worldviews, but its tone is bleak for all involved, offering little positive vision of tradition or change.