From available information, 'Brothers' relies primarily on character-driven storytelling, centering on the relationship and conflicts between its male leads. There is minimal evidence of identity politics overshadowing the story or roles being determined by checkboxes. Representation appears to flow naturally rather than being forced into the narrative.

Traditional masculinity, family bonds, and loyalty are at the film’s core. The story doesn’t seek to undermine these values, and there’s no notable attempt to rewrite cultural touchstones to fit a modern activist framework. It seems refreshingly non-woke relative to Hollywood’s usual fare.

'Brothers' doesn’t spend time caricaturing traditional views or shaming dissenting perspectives. There’s genuine human conflict, not cookie-cutter ideological opposition. Any modern themes present take a backseat to interpersonal drama.