The film’s characters and storyline are rooted in realism and tradition, focusing on a relatable journey of an ordinary couple. Identity or ideology never overshadow natural growth or plot, and all character developments feel earned and organic. Forced representation is virtually absent, and the film’s conflicts come from personal insecurities, not social engineering. Frankly, it feels like a breath of fresh air compared to Hollywood’s recent fare.

‘Dum Laga Ke Haisha’ highlights family values, marriage, and the importance of working through challenges. Masculinity is not ridiculed; instead, it’s challenged and allowed to grow throughout the narrative. Traditional roles and settings are respected rather than subverted, and there’s no obvious campaign against religion, family, or cultural roots. If anything, the film seems to celebrate them.

Alternative viewpoints, tradition versus modernity, urban versus rural, are depicted with nuance, not as simplistic villains. While the film ultimately leans toward encouraging self-acceptance, it does so by honoring tradition, not erasing it. Characters display a range of beliefs and personalities, with room for internal dissent and debate. There’s certainly no effort to stamp out non-woke viewpoints here.