In our view, "El Conde" leans heavily into satire, using the supernatural premise of Pinochet as a vampire to make pointed ideological statements. Identity and allegory overshadow nuanced character development, prioritizing message over organic storytelling. Some viewers may feel the film’s characterizations are driven more by its political vision than narrative realism.

The film lampoons broader cultural values associated with family, authority, and religion, particularly with its critique of Chilean history. By turning Pinochet into a literal monster, it subverts traditional notions of legacy and moral order, aligning with contemporary ideological reinterpretations.

The film offers little room for alternative perspectives on history or power. Any criticism of its ideological slant is handled with stylized mockery, portraying traditional or dissenting views in a negative or exaggerated light. Sincere debate or internal diversity of opinion is scarce.