The film’s narrative focuses on flawed, quirky characters and their personal struggles, not on identity politics or overt virtue signaling. Character development takes priority over representation checklists; casting choices seem grounded in fit and story needs rather than social ideology. There’s little evidence in our view that narrative is sacrificed to push a message.

Traditional themes like justice, morality, and personal responsibility are dealt with in earnest. The story doesn’t aggressively undermine religion, family, or masculinity, nor does it aim to lecture the audience on social issues. It mostly sticks to a dark comedic exploration of alienation rather than subverting cultural norms.

The film doesn’t villainize or caricature traditional perspectives. Instead, it presents a wide range of imperfect individuals and social contexts, avoiding heavy-handed ideological messaging or a one-note worldview. There’s no clear ideological monoculture being enforced here.