While Kraven the Hunter sticks to a somewhat traditional action narrative, it adopts several modern tropes; character motivations and relationships often seem shaped by trending social priorities. Representation feels visibly calculated, and there are hints of forced diversity. Still, the story isn't entirely derailed by these shifts, leaving some room for classic antihero appeal.

Subtle digs at traditional masculinity and family dynamics crop up, but Kraven remains a largely solitary, macho figure. The film gently reinterprets aspects of legacy and morality without totally subverting them, so it’s a mixed bag, modernized, but not full-on revisionist or hostile to traditional values.

Dissenting worldviews get little genuine airtime, and alternative perspectives often feel cartoonish or shallow. Kraven’s world is painted with broad strokes favoring modern morality, though it's not quite an echo chamber, the genre keeps some ambiguity lingering.